Moved by her residency at the museum in 2017, the show’s gentle yet probing paintings and installations have been inspired by the rich collections of the museum, its unrivalled collection of medical history, and detailed notes from found medical notebooks that are part of the museum’s collection. In particular, Secret Path, a series of four artworks which directly respond to western and eastern medicine, harness as reference, notes and medical illustrations from Notes in anatomy taken from lectures by Professor Turner, Session 1881-82 by David Middleton Greig (1864-1936) from the library of the Royal College of Surgeons of Edinburgh.
The multi-layered works consist of landscape ink paintings on the lower layer, and a human face painted on silk on the upper layer. The face is drawn from a Song Dynasty book serving as a resource on Chinese face reading methodologies; and how patterns of facial moles might divulge clues to a person’s character or destiny. ‘Ancient Chinese people believed that everything mutually supports and restrains each other’, says Zhang Yanzi on the idea of healing and well-being. ‘From the body to the spirit, we always have moments of confusion and look for remedy. Whilst men were born to suffer pain, affliction of the soul needs consolation of the spirit and the strength and calmness from the inner mind and body.’