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章燕紫香港医学博物馆个人展览──本

以往 exhibition
2016年7月8日 - 8月28日
Open a larger version of the following image in a popup: Zhang Yanzi 章燕紫, Medi-Chip 3 空芯片 3, 2016

Zhang Yanzi 章燕紫

Medi-Chip 3 空芯片 3, 2016
Ink on paper 紙上水墨
181 x 97 cm
Copyright The Artist
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%3Cdiv%20class%3D%22artist%22%3EZhang%20Yanzi%20%E7%AB%A0%E7%87%95%E7%B4%AB%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EMedi-Chip%203%20%E7%A9%BA%E8%8A%AF%E7%89%87%203%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2016%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EInk%20on%20paper%20%E7%B4%99%E4%B8%8A%E6%B0%B4%E5%A2%A8%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E181%20x%2097%20cm%3C/div%3E
From “The Remedy” to “Ancient Prescriptions”, and now to “Medi-Chip” (the artwork uses aluminum blister packs as a medium), it is apparent that Zhang Yanzi is familiar with artistic expression...
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From “The Remedy” to “Ancient Prescriptions”, and now to “Medi-Chip” (the artwork uses aluminum blister packs as a medium), it is apparent that Zhang Yanzi is familiar with artistic expression methods from a medical perspective. In this series of work, the artist uses empty aluminum blister packs as the base for her art. Through repeated ink rubbing and dozens of applications using thin-layering technique, she portrays layers of dense ink patches as if they are microarrays on computer chips. The focus of “Medi-Chip” shifts from the individual to society as the reflection on information technology that exudes the anxiety towards the “post-digital era”.

從「止痛貼」到「中藥冊頁」再到《空芯片》,顯然,章燕紫對於從醫藥角度切入藝術表達的方式熟稔於心。在這個系列作品中,藝術家利用吃剩的
膠囊的鋁板,通過不斷重複的水墨拓印和幾十遍的薄積法,層層疊疊積墨積色,仿佛芯片的微陣列。《空芯片》的視角焦點也從以往對個體生命的關
注轉移到對社會身體、信息智能的思索,流露出一種對「後智能時代」的焦慮。
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香港中环荷李活道10号大馆3座105-107室

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